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Equipment

Our full suite of in house equipment is available for use on any production.

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Camera Bodies

Sony FX9

Sony’s FX9 boasts a 6K sensor with incredible auto-focus and lens compatibility options, internal variable ND filter, audio inputs, along with RAW recording and great internal codecs. 

Sony FX6

Sony’s compact  FX6 is great for run and gun work, with similar features to the FX9 it’s a beast with internal ND filters and the same sensor as the FX3 making shooting efficient and effective as possible.

Sony FX3

The Sony FX3 sensor has the most incredible low light capability of any camera on the market making it a desirable addition for any film maker used as our C-cam for gimbal work and car rigging.

Sony A7IV

The A7IV is a hybrid camera with a 33MP sensor perfect for capturing still images but also great for video as well. The image size allow for plenty of detail and reframing as necessary for delicious still imagery.

Aerial Cameras

Inspire 3 - X9

The Inspire 3 along with the X9 sensor can shoot an incredible 8K image retaining sharpness throughout challenging lighting scenarios and supports various focal lengths enabling a versatile, high speed aerial beast!

Mavic 3 Pro

DJI’s Mavic 3 is arguably the most versatile drone on the market, with a 5K sensor, wide and twp telephoto shooting options, incredible battery life, hyperlapse and slow motion options all in an ultra compact package.

Mini 4 Pro

For those tighter spaces and close to airport operations the Mini 4 is a light weight drone capable of shooting true 4K vertical format video and stills and avoiding costly permit approvals from the Civil Aviation Safety Authority.

Avata 2

Avata 2 is our go-to for FPV flights, supporting the latest imagery this ultra fast and nimble FPV drone can capture fast moving action at incredible speeds with amazing stability and precision.

Lenses

NiSi Athena Cine

The Athena cine prime set is a versatile and high-quality kit that offers unparalleled image quality, flexibility, and creative control for filmmakers with no breathing and precise focus control.

Sony G-Master

The G-Master series from Sony are not only the fastest auto-focus lenses on the planet, they're also the most compact, offering unparalleled speed for run 'n' gun shooting of events.

Tamron Zooms

Tamron's super fast zoom lenses offer an excellent image with precise auto-focus and large aperture that offers versatile shooting for corporate events and time constrained shooting.

DJI DL Carbon

The DJI carbon series lenses are the native option for aerial filming with the Inspire 3. Supporting focal lengths from an ultra wide 18mm to a tight 50mm they deliver exceptional sharp imagery in both full frame and Super35 format.

Microphones

MKH416 Shotgun

The MKH416 shotgun microphone from Sennheiser is an industry standard broadcast quality mic. We use it for interviews, voice overs and on camera run and gun scenarios.

MKE1 / MKE2 Lav

The MKE1 and 2 are our preferred lapel mics for on the move presenters and those hard to get to spaces. With an incredible flat response it delivers a pleasing vocal sound.

SM7B Dynamic

Perfect for podcasts, radio, voice overs and streaming, the SM7B is ready for action. Warm and full sounding it’s another industry standard mic we use daily.

SM58 Dynamic

The Shure SM58, legendary handheld vocals mic, perfect for live broadcast presenting, singers and performers. Particularly useful for on the fly interviews and vox pops.

Audio Recorders & Transmitters

G4 EW500

Our go-to for wireless transmitters, these Sennheiser G4 series wireless packs are widely used for film, television and live events thanks to their flawless operation and ability to work with a wide range of mics.

Zoom F3

The F3 is a 32 bit float XLR 2 channel beast, able to capture the widest dynamic range of sounds without clipping EVER. Making this the perfect companion for unpredictable environments.

RODE Go Pro

The latest generation of Rode's wireless digital transmitters record 32 bit float internally making them perfect to mount in places that would normally be impossible to monitor and control wirelessly.

Zoom H4N

The handy Zoom H4n pro is a versatile recording device for capturing near and far range environmental scenes with added XLR inputs to provide the best all-rounder recording device.

Lighting

Light Storm

Aputure's Light Storm series offers an excellent range of ultra bright, modifiable spot lights with industry leading colour rendering and control options for temperature adjustments.

Amaran Colour

Amaran colour series spot light offers a flexible approach to illuminating scenes, with every hue and saturation level you could imagine plus all colour temperatures available. 

Amaran Panel

The Amaran panel series offers a flood of incredibly high quality light, perfect to fill spaces such as green screen environments evenly with plenty of controllable light.

Modifiers

We've got all the modifiers to suit the production, honeycomb grids, small and large softboxes, space lights, lantern mods, fresnels, barn doors and gels to suit all occasions.

Stabilisation

Ronin RS4 Pro

Next generation control, offering stabilisation of camera rigs up to 4.5kg with fully wireless control of pan, tilt, roll and camera controls, REC stop/start, iris, focus and zoom.

Tilta Ring Grip

Perfect for handheld shooting with the RS4 Pro, the Tilta ring grip offers flexibility when shooting handheld providing wireless feed and control over the gimbal and camera.

Hydra Car Rig

Our Hydra Alien car mount rig allows full remote control shooting from virtually any vehicle, perfect for car to car shoots or filming scenes from outside to inside a vehicle. 

Motorized Slider

Our motorized camera slider offers precision control of time and movement, perfect for timelapse, static reveals and timed movements in scenes.

Control & Monitoring

Nucleus Nano II

Next generation control, offering fully wireless control of pan, tilt, roll of gimbals and camera controls, REC stop/start, iris, focus and zoom control.

Atomos Monitors

Australian owned Atomos provide a wide range of monitors and RAW output records for our range of camera bodies, providing all the tools necessary for production.

Vaxis 1000+

Full HD transmission, 300+ metres LOS, no compression and zero delay. With HDMI and SDI input and output we can provide remote viewing for crew and HODs.

Directors Screen

We also provide a 24 inch basic HD Directors monitor for those who want to monitor sound and video takes remotely without getting up close and personal with crew.

Editing Suite

Genelec Monitors

Our video editing suite consists of a set of Genelec studio monitors and  bass sub-woofer. These are another industry standard for recording studios that we use daily for audio and video work.

Mac Studio

The Mac Studio with Apple silicon chips are a real game changer for video editors. We can throw any form of footage at these without the need to transcode. Rendering time is incredibly fast.

MacBook Pro

Blazingly fast I/O and a beautiful display make the MacBook Pro our preferred data wrangling and editing on the go. Copying data fast speeds up our workflow and increases efficiency, resulting in lower costs.

LG Screens

2x 32 Inch Calibrated LG monitors provide all the visuals of our editing suite, along with remote export to a 85 inch 4K screen for private viewing of films in production.